Lauded by Cleveland Classical as "an excellent soloist, a compelling performer who is equally comfortable handling long strings of notes... and singing through emotive melodies with her instrument,” Dr. Qin Ying Tan currently serves as harpsichord faculty at Baldwin-Wallace Conservatory of Music. She also works at the Historical Performance Practice Program at Case Western Reserve University.
Dr. Tan has appeared in concerts in Singapore, Shanghai, Germany, France, and has performed extensively across the United States of America. This season sees engagements with Hudson Historical Society and Library, City Music, the Historically-Informed Performance Practice Department at Case Western Reserve University, and the Baldwin-Wallace Bach Festival. In addition to her commitment to early repertoire, Tan regularly presents new music to her audiences and has premiered several pieces, most notably Cenk Ergun's sound installation piece, "Fomare" at the Cleveland Museum of Art and “Are You You” by Michi Wiancko with City Music.
Qin Ying Tan
Dr. Tan studied at Yong Siew Toh Conservatory of Music in Singapore (BMus), Peabody Conservatory of Music (M.M in piano performance, harpsichord performance, and musicology), and Cleveland Institute of Music (D.M.A in harpsichord performance) where her excellence in music performance and academic studies has awarded her several full merit scholarships and prizes. She was awarded the Excellence in Early Music upon graduation at Peabody Institute of Music. Her teachers included Albert Tiu (Yong Siew Too Conservatory of Music), Marian Hahn, Adam Pearl, Webb Wiggins (Oberlin Conservatory of Music), Lisa Crawford (Eastman School of Music), Skip Sempre, Peter Bennett (Case Western Reserve University), and Susan McClary (Case Western Reserve University).
As a pedagogue, Dr. Tan’s students have successfully gained admission into graduate programs in Michigan and Boston. Dr. Tan continues to cultivate an interest of historically-informed performance at the pre-college and college level in her role as a board member of the Northeast Ohio MTNA and harpsichord faculty at Baldwin Wallace Conservatory. Her passion for sharing historical music has also led her to lead dynamic workshops on baroque dance and historical keyboards in Southeast Asia where accessibility to period music is rare.
陈沁莹
被 Cleveland Classical 誉为“一位出色的独奏家、她的演奏引人注目,能够轻松自如地处理长
串音符......在琴上唱出充满情感的旋律”, 陈沁莹博士目前担任 Baldwin-Wallace 音乐学院羽大
键琴教师,并在 Case Western 大学的鉴古表演实践项目工作。
陈博士曾在新加坡、上海、德国、法国举办音乐会,并广泛地在美国各地演出。 本演出季将与
Hudson 图书馆及历史学会、城市音乐、Case Western 大学鉴古演奏实践系以及 Baldwin-
Wallace 巴赫音乐节进行合作。 除了致力于早期曲目之外,陈博士还定期向观众呈现新音乐,
并首演了几首作品,其中最著名的是 Cenk Ergun 的声音装置作品《Fomare》,Cleveland 艺
术博物馆展出,以及 和城市音乐呈现 Michi Wiancko 的《Are You You》。
陈博士曾就读于新加坡杨秀桃音乐学院(音乐学士)、Peabody 音乐学院(钢琴演奏、大键琴
演奏和音乐学硕士)和 Cleveland 音乐学院(大键琴演奏音乐博士)。由于出色的演奏表现,以
及学术能力使她获得了多项全额奖学金和奖项。 在 Peabody 音乐学院毕业时,她被授予早期
音乐卓越奖。 她的老师包括 Albert Tiu (杨秀桃音乐学院)、Marian Hahn (Peabody 音乐学院)、
Adam Pearl (Peabody 音乐学院)、Webb Wiggins (Oberlin 音乐学院)、Lisa Crawford
(Eastman 音乐学院)、Skip Sempe、Peter Bennett (Case Western 大学) 和 Susan McClary
(Case Western 大学)。
陈博士教学优异,她的学子中已有人成功进入密歇根州和波士顿的研究生课程。 做为东北
Ohio 音乐教师学会的董事会成员和 Baldwin-Wallace 音乐学院大键琴教师,陈博士着力于培养
对大学预科和本科生对早期音乐表演的兴趣。 她对分享早期音乐的热情也促使她在东南亚举办
有关巴洛克舞蹈和鉴古音乐键盘的动态研讨会。